I often do Readathons, unofficially, mainly because as the caregiver of a disabled child I cannot always block out time where I’m going to be able to dedicate myself to nothing but reading.  Yet with the “24 in 48 Readathon” coming up this weekend, the rules are a bit more flexible and may fit my needs better than some other Readathons.

Out of the 48 house in one weekend, find 24 hours (wherever they may fall) to read.  It really is that simple… and do-able for many readers.  So this time I’m tossing in my reading nook officially and we’ll see how well I actually clocked the hours by Sunday at 11:59.  I’m hoping to make the 24 hours, but if I don’t it was still a fun experience.

You can find the official sign-up page and information here.

Lately, I’ve been using the weekends as a time to do some binge-reading, catch up on series, do a few scheduled posts for the blogs so that I can keep on track better… the “24 in 48 Readathon” fits well into what I’m already doing.

As to what books — I have a Contemporary Romance series and a Western Historical Romance series that I want to get caught up on and do some postings.  I’m not sure yet which it will be… but I’ll list the titles here in an update as I finish them.  That seems easiest for me.

If this sounds like something you’d like to do, then check out the information and the sign-up page through the graphic or word links above.  Good luck, and happy readathon!

I read a lot in 2018, more than usual and definitely more than I should have because it brought me so close to book burnout that it’s not even a joke.  Part of that was immersing myself in a few new genres that caught my attention, part was simply being unable to say “no thanks” to more review offers than I could realistically fill without serious lack of sleep.  So 2019 will bring about a few changes to my reading schedule.

The upside to that overabundance of reading is that I’ve been able to better define what authors’ “voice” I want to follow in the future, and what “voices” no longer work for me.

The “voice” of a book is an elusive thing to define.  I believe that every single reader has a different, specific “voice” that appeals to them alone.  It’s the way a book is worded, the conversation between author and reader that flows easily over your mind and transports you into another world without effort.  It’s a feeling of comfortableness, of being at ease with how the story is delivered, how it unfolds to you.  It’s also a matter of trusting that the “voice” you’re listening to is going to be true to the genre, and not spin you off so far away from what you thought you were reading that you become lost.

It’s coming to the words, “The End” and sitting still for a moment thinking, “Yeah.  That was good.”  It’s not always fireworks — it’s also a quiet feeling of satisfaction.

I’ve come to better understand what “voice” appeals to me after this past year’s heavy reading schedule.  I know the authors that simply do not speak to me.  Perhaps once they did, but their “voice” has changed over time and what once comforted now jars.  It happens, it’s sad when it does, but it does happen.

I’m more willing to walk away from a book that just isn’t working for me.  Once I would stick until the ending just in case something changed along the way… now I’ll not be wasting precious time.  I’ll be polite, I won’t trash anything, what works for you may not work for me… and that’s okay, it’s not personal.

Every reader has a different word or phrase for what I call the “voice” of a book.  It’s simply what appeals to you, what brings you back to an author time after time, what you love about a genre, what makes you want to sit down and wander off into another world… it’s what you enjoy and that is unique to us all.